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Foreign Naked Guy and Foreign Naked Girlfriend, who live opposite and share garden space with me, came home with a kitten yesterday. I swear, it's like they copy everything I do! It's this tiny, tiny bundle of fluff, six weeks old, black with white feet, called Socks. Still all wobbly and blue-eyed, it's such a baby. So they promptly left the back door wide open so it could escape and then shouted at it when it got outside! Idiots. Not a promising beginning, but hopefully they'll get the hang of how cats work! Poppy was fascinated with it, but I had to bring her in because she was scaring it just by being big, poor little thing.
It's been over a fortnight now since the finale of Supernatural's third season aired, the first spoilers about the general direction of season four are starting to come out, and hiatus is looking incredibly long. So I've pulled together a few notes and pictures to make the next List of Love in the series, this one for episode 1.08: Bugs.
Quite a few Things I Love about Bugs
and other standout moments
I know this episode isn't a fave for many people bugs aren't the scariest opponents ever, and the plotting is more than a little on the wobbly side. But when you look beyond the flaws, there's some really important character work going on that makes it well worth enjoying.
Here we go. In no particular order.
1. I love the insight this episode gives us into the brothers' conflicting memories of childhood events each brother looks back on their shared past from an utterly different perspective and from the vantage point of completely different sets of priorities. Sam only sees what he resented about his upbringing, acknowledging nothing of the good. Dean, on the other hand, refuses to admit that there was anything wrong with the way they were raised, and won't allow himself to see anything to complain about, focusing only on the fact that there were important reasons behind all of their father's parenting decisions. Over the course of the seasons that follow they will slowly but surely come to meet in the middle, but for now, the gulf between their perspectives is immense.


This episode comes relatively early in the show's run, when we were still getting to know the characters and their background. Despite the dodgy plot, what we learn here about the brothers' respective relationships with their father provides a lot of important groundwork that will be built on in later episodes.
2. I love the way Sam lounges so casually on the hood of the Impala, reading, while Dean hustles pool in a bar.


Here we get to see a pattern that has been heavily implied in previous episodes: Dean earning money to share with his brother, who grumbles about the source but accepts the cash. Sam does have a good point when he suggests that they could get day jobs once in a while, but Dean has no interest in doing any such thing. Dean does not associate himself or his life with anything 'normal'; there is always a very clear divide between the two. Also, Dean isn't one to challenge a status quo this is how they have always financed themselves. It's what his Dad taught him, and Dean doesn't easily go against his father's teachings. Plus, he tends to feel that they provide a valuable public service, whether the public in general knows it or not. Therefore the world owes them something, whether or not it realises that.

3. The bugs might not work well on camera, but hey: Dean + makeshift flamethrower = love. And you can see in these shots that he'd already been stung on the face a couple of times by the bees they used to film the scene!


4. In this episode, we see Dean homing in on free food for the first time.

With accompanying bitchface of resigned exasperation from Sam.

I love Dean's ongoing love affair with free food.

It's one of those character details that is both quirky and psychologically fascinating, because on the one hand Dean's just being a greedy pig who loves food, especially food provided by someone else. But on the other hand, this is a guy who leads a hand-to-mouth existence and has done most of his life, who has to scrounge a living for both his brother and himself as best his itinerant lifestyle allows this episode has already shown us that Dean is the breadwinner of the family. Every free meal they can find releases hard-earned (or de-frauded) cash for other purposes, such as keeping the car fuelled, paying for the roof over their heads, or purchasing ammunition for the ongoing hunt against evil.
5. I love pretty, pretty establishing shots. Check out that sky. So dramatic!

6. I love that the brothers squat for the night in an empty house, and that this is Dean's idea. Sam, fresh from his pre-law degree, is still hung up on doing the right thing as decreed by the laws of society and on disapproval of his family's more illegal activities. He can afford to indulge in this disapproval because he isn't the one carrying the responsibility of keeping the pair of them financially afloat. But for Dean, who is the provider of this little family, the notion of spending a night in a well-fitted empty house says much the same thing as his keenness to partake of free food while interviewing potential witnesses for a case: it's pure practicality. Not having to pay for a motel for the night means his hard-hustled cash will stretch that much further, and this house is a lot more comfortable than any motel they can afford, which isn't something he gets to experience all that often.


Plus, more importantly, this scene gives us Sam smacking Dean in the stomach as he drives past into the garage. Was this scripted or improvised by the actor on the spur of the moment, fans wonder?

7. I love the way Dean cons Sam into being the one to explore the sinkhole, so typically big brother. And you know he'd never mock Sam into doing anything he actually believed to be dangerous.


I especially love Sam's sullen and plaintive little 'don't drop me', as he prepares to go down. He sounds all of six years old.

8. Squatting in an empty house gives us the delightful (but sadly brief and limited) sight of Dean in a towel, enjoying the luxury of a steam shower.

The motels the brothers usually stay at tend to be of the cheap and seedy variety, and we can project this back on their entire childhood, Dean's entire life. It's hardly surprising he makes the most of whatever creature comforts he can find along the way!
9. "You watch Oprah?"
Sam's face: picture. And Dean's reaction as he regroups and decides to change the subject rather than attempt any defence. Mwah.

10. As previously noted, this episode gives us a couple of really important conversations between the brothers looking back on their shared past. So much of what we will later take for granted about the very different relationship each has with their father is first spelled out for us here, having been given a more general outline in previous episodes.



Sam is convinced that John was disappointed with him; Dean knows that this was not the case. Sam believes that Dean was John's golden boy, the good little soldier, perfect in every way; it'll be another ten episodes before he begins to understand just why Dean strove so hard to achieve the perceived 'perfection' he struggled in the shadows of throughout his childhood. Sam learns for the first time that, far from disowning his rebellious son and despite being too proud to make the first move, John was concerned enough to regularly check up on him at Stanford. And it is made clear that Dean was caught in the middle of his warring family, and had no part in the final fight that saw them estranged for so many years, for all that the fallout affected him so greatly. It is all information that we will later take for granted, and that has been implied in earlier episodes, but this is the first time this backstory and these issues have been dealt with so overtly.
11. Here we have the first (and second) time the brothers are mistaken for a gay couple, and their reactions. Always good for a giggle, as long as the joke isn't overdone. Here, it is fresh and new.


Plus, this in turn gives us Dean smacking Sam on the backside, just to embarrass his brother in public, because winding up the little brother is always, always fun. Mwahahah.


12. Dean is Mr Empirical Approach.


13. Bless his heart, as the brothers head for their appointment at the university, Sam is so very careful to keep the box of bones covered up, lest anyone see. It's adorably Sam, to be so concerned about not attracting the wrong kind of attention.

14. There's something that just really appeals to me about the tiny scene of Dean stopping to ask for directions.

15. I'm not a person who has any problem with spiders, in general, but even so I'm always impressed and a little squicked when Sam so casually picks up the tarantula to return to his mischievous owner.


16. Sam gets to drive the Impala in this episode! This is noteworthy since from season two onward he will barely touch the wheel again. Not that he drives all that often even in season one.

17. "We had a plan, Matt. What happened to the plan?"
Hee. That line is so very Dean. I also love the characterisation in the minor disagreement the brothers had in the car preceding this scene, where Sam channelling his own issues with John had wanted Matt to force the situation with his father by telling the truth, rather than trying to think of a solution that might actually work, fast. That's so very Sam. And Dean's more matter-of-fact and sensible suggestion of faking appendicitis is so very Dean. That Matt chose Sam's path of open confrontation over Dean's sneakier yet more sensible suggestion, and therefore failed in the crucial task of getting his family out of harm's way, says something about Matt.

18. This is the only time we ever see the brothers sheltering under umbrellas. They usually just put up with getting wet when it rains. So just how bad was the rain that day, we wonder.

19. While Sam chats to Matt at the end of the episode, we can see Dean helping load up the removal van, helpful soul that he is. I can't quite believe the family managed to organise a move quite so fast, but never mind. We can go with it.

20. It tickles me that the professor who analyses the bones the brothers find is so easily convinced that they are students in one of his classes. Yeah, classes can run to a couple of hundred students impossible to learn all of their faces.

21. Old Joe Whitetree mispronounces the word 'cavalry' as 'calvary' every single time, and it really annoys me every time I watch his expository scene.

22. Following a schoolboy into the woods could be construed as somewhat dodgy

23. I love it when a case ends with genuine gratitude and a hearty handshake. Recognition is important, no matter how small the scale.

24. The insta-dawn really is a huge stumbling block to the credibility of the plot. But hey for a second time in one episode we get to see the brothers peering through a hole. And it's kind of an amusing image.

25. "I wanna find Dad."
I love this whole conversation. I really like when they sit side by side like this to talk, like it's easier somehow to get the words out if they don't have to look one another in the eye. John's continuing disappearance is hurting them both so badly, and they just don't know what to do about it. They have tried everything they know to find him, but he doesn't want to be found and they don't know why he would cut them loose like that. They both know that Jessica's death, paralleling Mary's, has to mean something important, but without pooling their knowledge with John's they have no way to understand what that something is, and are just trying to feel their way through it all as best they can, and it is just so hurty.


And I love that Dean can make Sam laugh in spite of the hurt. No matter how uncertain he might be about anything else, taking care of Sam is something he knows how to do, and he does it so very well, and lo! it is beautiful to see.


Caps made by me.
Oh, and I've also updated my timeline for the show to include season three, if anyone's interested in taking a look. Let me know if I've missed anything obvious!
It's been over a fortnight now since the finale of Supernatural's third season aired, the first spoilers about the general direction of season four are starting to come out, and hiatus is looking incredibly long. So I've pulled together a few notes and pictures to make the next List of Love in the series, this one for episode 1.08: Bugs.
and other standout moments
I know this episode isn't a fave for many people bugs aren't the scariest opponents ever, and the plotting is more than a little on the wobbly side. But when you look beyond the flaws, there's some really important character work going on that makes it well worth enjoying.
Here we go. In no particular order.
1. I love the insight this episode gives us into the brothers' conflicting memories of childhood events each brother looks back on their shared past from an utterly different perspective and from the vantage point of completely different sets of priorities. Sam only sees what he resented about his upbringing, acknowledging nothing of the good. Dean, on the other hand, refuses to admit that there was anything wrong with the way they were raised, and won't allow himself to see anything to complain about, focusing only on the fact that there were important reasons behind all of their father's parenting decisions. Over the course of the seasons that follow they will slowly but surely come to meet in the middle, but for now, the gulf between their perspectives is immense.


2. I love the way Sam lounges so casually on the hood of the Impala, reading, while Dean hustles pool in a bar.



3. The bugs might not work well on camera, but hey: Dean + makeshift flamethrower = love. And you can see in these shots that he'd already been stung on the face a couple of times by the bees they used to film the scene!


4. In this episode, we see Dean homing in on free food for the first time.



5. I love pretty, pretty establishing shots. Check out that sky. So dramatic!

6. I love that the brothers squat for the night in an empty house, and that this is Dean's idea. Sam, fresh from his pre-law degree, is still hung up on doing the right thing as decreed by the laws of society and on disapproval of his family's more illegal activities. He can afford to indulge in this disapproval because he isn't the one carrying the responsibility of keeping the pair of them financially afloat. But for Dean, who is the provider of this little family, the notion of spending a night in a well-fitted empty house says much the same thing as his keenness to partake of free food while interviewing potential witnesses for a case: it's pure practicality. Not having to pay for a motel for the night means his hard-hustled cash will stretch that much further, and this house is a lot more comfortable than any motel they can afford, which isn't something he gets to experience all that often.



7. I love the way Dean cons Sam into being the one to explore the sinkhole, so typically big brother. And you know he'd never mock Sam into doing anything he actually believed to be dangerous.



8. Squatting in an empty house gives us the delightful (but sadly brief and limited) sight of Dean in a towel, enjoying the luxury of a steam shower.

9. "You watch Oprah?"
Sam's face: picture. And Dean's reaction as he regroups and decides to change the subject rather than attempt any defence. Mwah.

10. As previously noted, this episode gives us a couple of really important conversations between the brothers looking back on their shared past. So much of what we will later take for granted about the very different relationship each has with their father is first spelled out for us here, having been given a more general outline in previous episodes.



11. Here we have the first (and second) time the brothers are mistaken for a gay couple, and their reactions. Always good for a giggle, as long as the joke isn't overdone. Here, it is fresh and new.




12. Dean is Mr Empirical Approach.


13. Bless his heart, as the brothers head for their appointment at the university, Sam is so very careful to keep the box of bones covered up, lest anyone see. It's adorably Sam, to be so concerned about not attracting the wrong kind of attention.

14. There's something that just really appeals to me about the tiny scene of Dean stopping to ask for directions.

15. I'm not a person who has any problem with spiders, in general, but even so I'm always impressed and a little squicked when Sam so casually picks up the tarantula to return to his mischievous owner.


16. Sam gets to drive the Impala in this episode! This is noteworthy since from season two onward he will barely touch the wheel again. Not that he drives all that often even in season one.

17. "We had a plan, Matt. What happened to the plan?"
Hee. That line is so very Dean. I also love the characterisation in the minor disagreement the brothers had in the car preceding this scene, where Sam channelling his own issues with John had wanted Matt to force the situation with his father by telling the truth, rather than trying to think of a solution that might actually work, fast. That's so very Sam. And Dean's more matter-of-fact and sensible suggestion of faking appendicitis is so very Dean. That Matt chose Sam's path of open confrontation over Dean's sneakier yet more sensible suggestion, and therefore failed in the crucial task of getting his family out of harm's way, says something about Matt.

18. This is the only time we ever see the brothers sheltering under umbrellas. They usually just put up with getting wet when it rains. So just how bad was the rain that day, we wonder.

19. While Sam chats to Matt at the end of the episode, we can see Dean helping load up the removal van, helpful soul that he is. I can't quite believe the family managed to organise a move quite so fast, but never mind. We can go with it.

20. It tickles me that the professor who analyses the bones the brothers find is so easily convinced that they are students in one of his classes. Yeah, classes can run to a couple of hundred students impossible to learn all of their faces.

21. Old Joe Whitetree mispronounces the word 'cavalry' as 'calvary' every single time, and it really annoys me every time I watch his expository scene.

22. Following a schoolboy into the woods could be construed as somewhat dodgy

23. I love it when a case ends with genuine gratitude and a hearty handshake. Recognition is important, no matter how small the scale.

24. The insta-dawn really is a huge stumbling block to the credibility of the plot. But hey for a second time in one episode we get to see the brothers peering through a hole. And it's kind of an amusing image.

25. "I wanna find Dad."
I love this whole conversation. I really like when they sit side by side like this to talk, like it's easier somehow to get the words out if they don't have to look one another in the eye. John's continuing disappearance is hurting them both so badly, and they just don't know what to do about it. They have tried everything they know to find him, but he doesn't want to be found and they don't know why he would cut them loose like that. They both know that Jessica's death, paralleling Mary's, has to mean something important, but without pooling their knowledge with John's they have no way to understand what that something is, and are just trying to feel their way through it all as best they can, and it is just so hurty.




Caps made by me.
Oh, and I've also updated my timeline for the show to include season three, if anyone's interested in taking a look. Let me know if I've missed anything obvious!
no subject
Date: 2008-06-01 05:14 pm (UTC)Over the course of the seasons that follow they will slowly but surely come to meet in the middle, but for now, the gulf between their perspectives is immense.
I always figured from the way Dean admits later how much he actually appreciates 'normal' that a lot of their conversations in the beginning of S1 are about convincing the other of the value of their own perspective. Sam resenting the hunter’s life and the way they were raised dismisses everything Dean stands for, everything he is proud of in his life and hence Sam's disapproval hurts him. On the other hand Dean's dismissal of 'normal' hurts Sam just as much, since it is all he really wants at that point. Their pride and hurt stands in their way to find a compromise in their arguments. It's so typical for their early interaction! *hugs boys*
I love the way Sam lounges so casually on the hood of the Impala, reading, while Dean hustles pool in a bar.
Man, that's one of my favourite opening sequences in the show still. I love that Sam lounges on the Impala (we never see that again :( ). It's early in the show and he isn't really comfortable being back in this life, but he feels visibly at home on the hood of the Impala, it's like a learned muscle memory; the car is home and safety, so he can relax! ♥ And I still want to have a scene where we actually see Dean hustling pool! LOL
Sam is convinced that John was disappointed with him; Dean knows that this was not the case. Sam believes that Dean was John's golden boy ...
That dialogue never fails to kill me. We as viewers of course know how much Dean himself thinks that John was disappointed with him and yet he doesn't say a word to Sam, it's all about comforting and reassuring his little brother and his own feelings take a back-seat. He also only says that John stopped by Stanford to have an eye on Sam but never says if he did the same thing, which I guess we all figure was the case as well. But this isn't about him, it's about Sam and John and he takes himself completely out of the equation in this conversation. /sigh
The fact that John managed to make both his kids believe that he favours the other is really a trademark of his special brand of parenting. /sigh And with all his stubborness, Sam is still worried if John would even want to see him when they find him. Man, he loves his father and it really hurts to see him so insecure about John's feelings! *hugs boys again*
There's so much goodness in this episode! Heh, and fortunately it's on my marathon list for this evening! *g*
no subject
Date: 2008-06-01 05:42 pm (UTC)a lot of their conversations in the beginning of S1 are about convincing the other of the value of their own perspective.
I think so too. I also think that at this stage Dean has completely brainwashed himself out of acknowledging any subconscious desire he has for a return to the normal life he lost so long ago. He genuinely does enjoy what he does, gets a real kick out of it, and at this stage of season one his life hasn't really begun to spiral out of control enough for all those repressed emotions to start making themselves truly felt. So he's being completely honest when he rejects normality in this episode - normal never got him anything but hurt in the past, whereas for Sam it is something he never had and therefore craves.
Man, after so much has happened, it's so refreshing to come back to these early episodes and remember how the initial status quo was so gradually established.
I still want to have a scene where we actually see Dean hustling pool!
I want to know how Sam is going to support himself without Dean! We have never seen or heard of Sam bringing in any cash. It has always been Dean keeping them both financially afloat.
this isn't about him, it's about Sam and John and he takes himself completely out of the equation in this conversation
He totally does. Sam and John's estrangement hurt him so badly, and Sam's attitude throughout this episode does nothing but remind him of that. He is so concerned with achieving some kind of reconciliation, with trying to get Sam to understand their father's point of view. Ever the mediator.
The fact that John managed to make both his kids believe that he favours the other is really a trademark of his special brand of parenting. /sigh And with all his stubborness, Sam is still worried if John would even want to see him when they find him. Man, he loves his father and it really hurts to see him so insecure about John's feelings! *hugs boys again*
*wibbles and mourns over all the above*
Man, the parent-child dynamic is so powerful. Even when the parent is completely absent - maybe especially so!
Happy marathoning!
no subject
Date: 2008-06-01 05:32 pm (UTC)no subject
Date: 2008-06-01 05:44 pm (UTC)There aren't that many episodes in three seasons that I don't like, but even those have plenty of moments of goodness to make up for their deficiencies - hence the lists of love, to pick out the good from the less good! Plus, obviously, pretty pictures. ♥
no subject
Date: 2008-06-01 06:40 pm (UTC)And yeah, even in episodes I really have no desire to watch multiple times (and there's only a very few of those), there's always a few things that can convince me to sit through them again. Usually it's the boys being pretty, but hey, that's good enough for me! LOL!
no subject
Date: 2008-06-01 06:43 pm (UTC)no subject
Date: 2008-06-01 06:53 pm (UTC)no subject
Date: 2008-06-01 05:47 pm (UTC)no subject
Date: 2008-06-01 05:55 pm (UTC)no subject
Date: 2008-06-01 06:56 pm (UTC)That's if it survives long enough, if they don't have the brains to keep the door closed...
Carol
no subject
Date: 2008-06-01 07:05 pm (UTC)no subject
Date: 2008-06-01 05:54 pm (UTC)no subject
Date: 2008-06-01 06:00 pm (UTC)no subject
Date: 2008-06-01 06:02 pm (UTC)no subject
Date: 2008-06-01 06:07 pm (UTC)no subject
Date: 2008-06-01 06:18 pm (UTC)The Magnificent Seven is probably my least favourite and I'm not keen on Hollywood Babylon either, but that's more because I hate it when shows get self-referential like that with too many in-jokes, which I'm sure are hilarious for the crew, but are less so for the audience. It's still a strong episode though. TM7 just lacks zip imo.
no subject
Date: 2008-06-01 06:29 pm (UTC)So...yeah, there are weaker episodes. But even those always have moments that redeem them.
no subject
Date: 2008-06-01 07:16 pm (UTC)no subject
Date: 2008-06-01 07:23 pm (UTC)I want to like Croatoan. I really do. It's an important episode for both mytharc and character development, and has some truly wonderful moments. I just...I can't get back the weakness of the production. It needs to be so much more epic than it is, to truly sell the enormity of the crisis. Too much telling and not enough showing. Still. Given the restrictions Show has to work within, we have to forgive the weaker episodes.
no subject
Date: 2008-06-01 07:26 pm (UTC)no subject
Date: 2008-06-01 07:34 pm (UTC)no subject
Date: 2008-06-01 10:32 pm (UTC)no subject
Date: 2008-06-02 06:53 am (UTC)no subject
Date: 2008-06-02 05:52 am (UTC)eta'ed for typo
no subject
Date: 2008-06-02 06:55 am (UTC)no subject
Date: 2008-06-02 07:20 am (UTC)thank you again, and cheers!
p.s. - i also enjoyed your caps.
no subject
Date: 2008-06-02 08:18 am (UTC)Lists of Love 1.01-1.07 are all tagged, and should be easily navigable, if you're interested in taking a look. The rest will come together as and when time and Real Life allow. :)
no subject
Date: 2008-06-02 08:54 am (UTC)no subject
Date: 2008-06-02 07:27 pm (UTC)We can see Dean helping load up the removal van, helpful soul that he is.
In all the times I've seen this pisode, I have never noticed that! Aww, Dean.
Old Joe Whitetree mispronounces the word 'cavalry' as 'calvary' every single time.
I don't know about the rest of the US, but I'm from Indiana, and that's actually a pretty common mispronunciation around here. I didn't even catch it at first, because I'm so used to hearing it pronounced that way.
Really enjoyed this List, as always!
no subject
Date: 2008-06-02 07:44 pm (UTC)B-b-but...they are two completely different words, and mean two completely different things! It bugs me every single time I watch the episode.
Dean helping load a couple of boxes into the van isn't really all that noticeable while you watch the episode, the focus being on Sam and Matt at that point, but in screencaps with time to sit and stare, it is pretty apparent what he's doing there in the background.
definitely a different perspective for me now, having seen where all the character development established here winds up at the end of third season
Oh, man. Nearing the end of season two on my complete show rewatch now, and I find myself saying that about just about every single episode I watch! They are all so poignant now, knowing what is going to happen. Crossroad Blues was unbearable!
no subject
Date: 2008-06-02 07:54 pm (UTC)Oh, believe me, I know. *G* I'm just saying it happens a lot around these parts.
They are all so poignant now, knowing what is going to happen.
I feel the same. Like I said, I just finished Bugs in my complete series rewatch, but there have already been several instances where I've just had to pause my DVD and walk away for a minute. It's just unbearable. Also, the folks who make our show are geniuses. All of them.
no subject
Date: 2008-06-02 08:09 pm (UTC)Croatoan, which I don't usually like, that one was hard, as well. It always is, of course, the more powerful moments. But...it's the moment Dean comes right out and admits that if anything happens to Sam, he just isn't going to get back up, he's so exhaused and beaten down by the events of his life. And we all know where that ended. :( The development of both characters from point a to point b, over the course of three seasons - wow.
no subject
Date: 2008-06-03 01:50 am (UTC)no subject
Date: 2008-06-03 06:38 am (UTC)no subject
Date: 2008-06-03 08:11 pm (UTC)no subject
Date: 2008-06-03 08:58 pm (UTC)It's not often people would say Dean would ask for directions, doesn't want his face remembered, doesn't want to admit he needs a pointer, so it's nice to see that side.
It's such a tiny snippet of a scene, but I love it every time I watch the episode. I love how the shot is framed, from a distance, so that we don't hear the conversation. And I love the way Dean is so nonchalant about it, leaning out of the window, hand on the wheel, not quite stopping, all the pointing. It's tiny, but it feels real. The kind of moment that helps to ground the show in reality.