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"Last act of a desperate man."
You'd think, being unemployed and all, that I'd have more time on my hands than I know what to do with. It isn't working out that way! So this recap has been pulled together and edited in fits and starts - please let me know if you spot any glaring errors.
Oh, Dean. Oh, Sam. Oh, boys. I found myself repeating those three phrases over and over while writing this! There are 27 pages this time, in which I ramble on about the brothers' respective states of mind going into this case, the keeping of secrets, return to form regarding witness interviews versus breaks in pattern at home, Dean's ability to be both good cop and bad cop all rolled into one and the contrast between the Sam'n'Dean perspective of this week versus the outsider perspective last week, Sam driving a rental, Sam looking fabulous in his suit, Dean looking lovely in his suit, Dean's reaction to his father's voice, the downward spiral of desperation, Dean's terror versus Sam's determined effort to remain rational, brothers and blinkers, the manipulative and sadistic nature of the Crocotta and the ripping open of old wounds, Dean's need for salvation, the weakness and inconsistency of the plot, brotherly loggerheads and role reversal, Sam's isolation, how terrifyingly little time remains, and much more besides.
To read the recap, click the link below:
"This is Herman Munster. Leave a message."
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marishna, and by rosely at Screencap Paradise
Oh, Dean. Oh, Sam. Oh, boys. I found myself repeating those three phrases over and over while writing this! There are 27 pages this time, in which I ramble on about the brothers' respective states of mind going into this case, the keeping of secrets, return to form regarding witness interviews versus breaks in pattern at home, Dean's ability to be both good cop and bad cop all rolled into one and the contrast between the Sam'n'Dean perspective of this week versus the outsider perspective last week, Sam driving a rental, Sam looking fabulous in his suit, Dean looking lovely in his suit, Dean's reaction to his father's voice, the downward spiral of desperation, Dean's terror versus Sam's determined effort to remain rational, brothers and blinkers, the manipulative and sadistic nature of the Crocotta and the ripping open of old wounds, Dean's need for salvation, the weakness and inconsistency of the plot, brotherly loggerheads and role reversal, Sam's isolation, how terrifyingly little time remains, and much more besides.
To read the recap, click the link below:
"This is Herman Munster. Leave a message."
Header made using caps by
marishna, and by rosely at Screencap Paradise
no subject
It's good to talk!
My immediate thought was of the cost of repairing the floor after that.
Hee. I had a similar reaction in Crossroad Blues when the hellhounds started scratching up the floor. *G*
That was rather feeble, wasn’t it?
It felt very...abrupt and tacked on. Just there for the sake of keeping Sam occupied and wrapping up the b-plot as quickly and neatly as possible before moving on. The plotting and structure of this episode really are quite weak, which is worrying heading into the finale. I'd have thought they would have had plenty of time during the strike to make contingency plans, if only in their heads! But this episode really feels as if it was rushed into production.
It’s somewhat easier to drive and talk on the phone when the roads are all straight and the car is an automatic.
Yes, I'd imagine it is. Here, the roads tend toward narrow and bendy!
I didn’t notice he was a Police Officer.
When we first see him taking the call, he's in a locker room that could be anywhere, really, but the other guy in the room is wearing police uniform.
For all of its realism and what it is showing about Dean’s mental state, I do think it was a little excessive.
It was definitely hard to watch. The horror elements barely make me blink, either (except the hand in the waste disposal. And the teeth and maggots really did squick me out. But other than that!) but the violence really does seem to be on the increase, and I'm not sure it is necessary. At least not always.
These end of bed talks are static, repetitive and boring and they contribute to some of the flatness of the season.
The end-of-bed talks are stacking up now. On the one hand, I can see why - Sam has always tended to just sit around while talking, with Dean fidgeting and keeping his hands occupied, but I can believe that Dean would need to be still for some of these deep-and-meaningful conversations. The still, for me, adds to the sense that he is pretty much resigned to his fate and preparing himself for it. I miss the activity, though.
I had a lot of trouble with the car arguments in the middle of the season - especially the ones that we just landed in the middle of at the start of the episode. They never quite sat right with me, going into such intense arguments cold like that. I always wanted build up to know how each brother had reached the state of agitation he appeared to be in. Plus, as you say, static. Movement always adds to the realism of any conversation - I know back in the days when I wrote fic I always felt that action dialogue was more natural than static dialogue, keeping the characters busy while they talked.
It’s as if some of the realisim has been taken away. It’s the small details that give the show life.
I've fretted over the loss of those small details all season. It feels as if they have got so much to cram into every episode these days that a lot of the depth and nuance has fallen by the wayside, and that is disappointing.
Wow, this has been nitpicky! But we pick because we love!
Ta for pointing out errors. I never catch 'em all myself, no matter how many times I proof-read. What's wrong with that sentence, though? It makes sense to me, but that could just be because I know what I meant.
no subject
I had three betas at one point and I still find typos in those old stories (missing words tends to be my thing).
no subject
*is blind*
I spot typos and missing words every time I look through my old recaps, which I don't do often because I always want to completely re-write them!
no subject
no subject
I know! I once drove overnight from Holyhead through the mountains, probably far too fast, and it was terrifying! They're all full of bloody traffic too.
>>When we first see him taking the call, he's in a locker room that could be anywhere, really, but the other guy in the room is wearing police uniform.
I gave it a quick look. It's terribly hard to spot. If he had managed to kill Dean, he would had a lot of explaining to do to his colleagues.
>>Except the hand in the waste disposal. And the teeth and maggots really did squick me out.
I had no problem with the maggots. The waste disposal, the saw and the fingernail were are a bit icky, but nothing too bad. I work in Construction Health and Safety and my boss regularly tries to freak me out with pictures of skin diseases and impalements without success, but it's the descriptions of people cutting themselves which give you the uncomfortable shivers. The moment in SPN that always gets me, even though I know it's coming, is the impact of the car crash.
>>The still, for me, adds to the sense that he is pretty much resigned to his fate and preparing himself for it. I miss the activity, though.
Maybe, although sadly, most likely a victim of the cost thing, they could vary the locations a bit though from just car and bed. Even if it was just sitting on other bits of furniture in the room.
>>hey never quite sat right with me, going into such intense arguments cold like that. I always wanted build up to know how each brother had reached the state of agitation he appeared to be in.
It feels like you're missing the best bits.
>>I know back in the days when I wrote fic I always felt that action dialogue was more natural than static dialogue, keeping the characters busy while they talked.
Tell me about it. I find that very difficult.
>>Wow, this has been nitpicky! But we pick because we love!
;D
no subject
Oooh, I know that road. Lethal in bad weather!
most likely a victim of the cost thing, they could vary the locations a bit though from just car and bed. Even if it was just sitting on other bits of furniture in the room.
The new episode has a really nice scene of action dialogue - Sam on the laptop and Dean eating while they talk. And it is brilliant, so natural and believable and brotherly. I want more conversations like that!
no subject
>>The new episode has a really nice scene of action dialogue - Sam on the laptop and Dean eating while they talk. And it is brilliant, so natural and believable and brotherly. I want more conversations like that!
It can be done!
The maggots made me laugh after what we were saying last night. And I was going to mention eyeballs too. Eyeballs, now they do make me squirm.