I know! I once drove overnight from Holyhead through the mountains, probably far too fast, and it was terrifying! They're all full of bloody traffic too.
>>When we first see him taking the call, he's in a locker room that could be anywhere, really, but the other guy in the room is wearing police uniform.
I gave it a quick look. It's terribly hard to spot. If he had managed to kill Dean, he would had a lot of explaining to do to his colleagues.
>>Except the hand in the waste disposal. And the teeth and maggots really did squick me out.
I had no problem with the maggots. The waste disposal, the saw and the fingernail were are a bit icky, but nothing too bad. I work in Construction Health and Safety and my boss regularly tries to freak me out with pictures of skin diseases and impalements without success, but it's the descriptions of people cutting themselves which give you the uncomfortable shivers. The moment in SPN that always gets me, even though I know it's coming, is the impact of the car crash.
>>The still, for me, adds to the sense that he is pretty much resigned to his fate and preparing himself for it. I miss the activity, though.
Maybe, although sadly, most likely a victim of the cost thing, they could vary the locations a bit though from just car and bed. Even if it was just sitting on other bits of furniture in the room.
>>hey never quite sat right with me, going into such intense arguments cold like that. I always wanted build up to know how each brother had reached the state of agitation he appeared to be in.
It feels like you're missing the best bits.
>>I know back in the days when I wrote fic I always felt that action dialogue was more natural than static dialogue, keeping the characters busy while they talked.
Tell me about it. I find that very difficult.
>>Wow, this has been nitpicky! But we pick because we love!
no subject
I know! I once drove overnight from Holyhead through the mountains, probably far too fast, and it was terrifying! They're all full of bloody traffic too.
>>When we first see him taking the call, he's in a locker room that could be anywhere, really, but the other guy in the room is wearing police uniform.
I gave it a quick look. It's terribly hard to spot. If he had managed to kill Dean, he would had a lot of explaining to do to his colleagues.
>>Except the hand in the waste disposal. And the teeth and maggots really did squick me out.
I had no problem with the maggots. The waste disposal, the saw and the fingernail were are a bit icky, but nothing too bad. I work in Construction Health and Safety and my boss regularly tries to freak me out with pictures of skin diseases and impalements without success, but it's the descriptions of people cutting themselves which give you the uncomfortable shivers. The moment in SPN that always gets me, even though I know it's coming, is the impact of the car crash.
>>The still, for me, adds to the sense that he is pretty much resigned to his fate and preparing himself for it. I miss the activity, though.
Maybe, although sadly, most likely a victim of the cost thing, they could vary the locations a bit though from just car and bed. Even if it was just sitting on other bits of furniture in the room.
>>hey never quite sat right with me, going into such intense arguments cold like that. I always wanted build up to know how each brother had reached the state of agitation he appeared to be in.
It feels like you're missing the best bits.
>>I know back in the days when I wrote fic I always felt that action dialogue was more natural than static dialogue, keeping the characters busy while they talked.
Tell me about it. I find that very difficult.
>>Wow, this has been nitpicky! But we pick because we love!
;D